"Lucia di Lammermoor / Act 1: Regnava nel silenzio" by Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza was released on November 26, 2022. With this song being about 5 minutes long, at 4:35, "Lucia di Lammermoor / Act 1: Regnava nel silenzio" by Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 98 out of 131 in Donizetti: Essential Recordings by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Lucia di Lammermoor / Act 1: Regnava nel silenzio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 1: Regnava nel silenzio by Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leoncavallo: La bohème: "Musette svaria sulla bocca viva" | Ruggero Leoncavallo, Ermonela Jaho, Andrea Battistoni, Orquestra de la Comunitat Valenciana | G Major | 0 | 9B | 82 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Puccini: La rondine, Act 1: Denaro ... nient'altro che denaro!" (Magda, Bianca, Yvette, Suzy) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | ||
Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
Puccini : Edgar : Act 2 "Orgia, chimera dall'occhio vitreo" [Edgar] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | D♭ Major | 1 | 3B | 67 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM |