"Three Pieces in Brazilian Style: I. Choro in F" by Michael Eckert, Amanda McCandless, Polina Khatsko was released on June 9, 2015. The duration of Three Pieces in Brazilian Style: I. Choro in F is about 3 minutes long, at 3:10. Based on our data, "Three Pieces in Brazilian Style: I. Choro in F" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 18 in Brazilian Dreams: Music of Michael Eckert by Michael Eckert, Amanda McCandless, Polina Khatsko, Unison Piano Duo. Based on our statistics, Three Pieces in Brazilian Style: I. Choro in F's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Three Pieces in Brazilian Style: I. Choro in F by Michael Eckert, Amanda McCandless, Polina Khatsko is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto | Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien | G Minor | 1 | 6A | 65 BPM | ||
5 Bagatelles for clarinet and piano, Op. 23: 2. Romance - Andante tranquillo | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Minor | 0 | 4A | 67 BPM | ||
Eight Pieces, Op. 83 | Max Bruch, Leslie Craven, HAUSER, Yoko Misumi | D♭ Minor | 1 | 12A | 64 BPM | ||
Arioso (Adagio in G) from Cantata BWV 156 (Arr. by Lloyd Webber) | Julian Lloyd Webber, John Lenehan | G Major | 0 | 9B | 64 BPM | ||
Haydn: Piano Concerto in F Major, Hob. XVIII:3: II. Largo | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Encantamiento (Seis Canciones de Cuna) | Carlos Guastavino, Marcela Roggeri, Florent Héau | D Minor | 0 | 7A | 81 BPM | ||
Keyboard Sonata in G Major, K.523/L.490/P.527 (arr. I. Friedman for piano) | Ignaz Friedman, Domenico Scarlatti, Joseph Banowetz | D Major | 2 | 10B | 204 BPM | ||
Fra Gudbrandsdalen, Op. 9: IV. Dei som drog i krigen 1807 | David Monrad Johansen, Rune Alver | F Minor | 1 | 4A | 142 BPM | ||
組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM |