"Seven Magnificat Antiphons: O Weisheit" by Arvo Pärt, The Sixteen, Harry Christophers was released on January 1, 2012. With Seven Magnificat Antiphons: O Weisheit being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Serenity - The Beauty Of Arvo Pärt". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Seven Magnificat Antiphons: O Weisheit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Magnificat Antiphons: O Weisheit by Arvo Pärt, The Sixteen, Harry Christophers having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
The Sea Ranch Songs: Elements I | Aleksandra Vrebalov, Kronos Quartet | G Minor | 3 | 6A | 116 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Songs from Dolores's Songbook: No. 7, Azure (Version for Strings) | Tõnu Kõrvits, Estonian National Symphony Orchestra, Risto Joost | B Major | 0 | 1B | 85 BPM | ||
Summa | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | E♭ Minor | 1 | 2A | 129 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Como cierva sedienta: II | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | F Minor | 1 | 4A | 89 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
…And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM |