Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik's 'Sinfonia da camera, Op. 2, No. 6: Adagio' came out on February 22, 1993. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anna Holbling's "Italian Baroque Favourites" album is number 20 out of 23. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Sinfonia da camera, Op. 2, No. 6: Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia da camera, Op. 2, No. 6: Adagio by Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamento d'Arianna, SV 22: 1a parte - Lasciatemi morire | Claudio Monteverdi, Anne Sofie von Otter, Drottningholm Baroque Ensemble | G Major | 0 | 9B | 161 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Porpora: Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 137 BPM | ||
Semiramide riconosciuta, Act I Scene IV: Vorrei spiegar l'affanno | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | A♭ Major | 3 | 4B | 129 BPM | ||
Ferrandini: 24 Arias: No. 23, Gelido in ogni vena (From Sächsische Landsbibliothek MS 3037-I-6) | Giovanni Battista Ferrandini, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | B Minor | 1 | 10A | 123 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Zefiro torna, e di soavi accenti, SV 251 | Claudio Monteverdi, Les Arts Florissants, William Christie | G Major | 1 | 9B | 110 BPM |