Thomas Campion, Ralph Fiennes, Theatre of Early Music made "Now winter nights enlarge" available on January 1, 2005. With Now winter nights enlarge being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Theatre Of Early Music: Love Bade Me Welcome - Songs and Poetry From the Renaissance". In this album, this song's track order is #20. In terms of popularity, Now winter nights enlarge is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Now winter nights enlarge by Thomas Campion, Ralph Fiennes, Theatre of Early Music having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
My Love Hath Vowed | Thomas Campion, Michael Chance, Nigel North, Rachel Elliott | E Major | 1 | 12B | 179 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM | ||
Acceso mio cuore (Ciaconna) | Francesco Manelli, Capella De La Torre, Katharina Bauml | C Major | 0 | 8B | 109 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Sinfonia | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | G Major | 2 | 9B | 60 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM |