Mysterious Love, The Movie Band, Relax and Chill Covers Culture Songs's 'Yumeji's Theme (In the Mood for Love)' had a release date set for June 7, 2024. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Yumeji's Theme (In the Mood for Love)'s duration is considered a little bit shorter than the average duration of a typical track. Since Yumeji's Theme (In the Mood for Love) only contains only one song in the album, we like to consider this song as a single. Based on our data, Poland was the country where this track was produced or recorded. Based on our statistics, Yumeji's Theme (In the Mood for Love)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Yumeji's Theme (In the Mood for Love) by Mysterious Love, The Movie Band, Relax and Chill Covers Culture Songs has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Yumeji's Theme (In the Mood for Love) being at 120 テンポ, the half-time would be 60 テンポ with a double-time of 240 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emotional Classical Violin Solo | Rafael Krux, David Krulic, Orchestralis | G Major | 0 | 9B | 80 BPM | ||
Beginnings | Debbie Wiseman | A Minor | 1 | 8A | 139 BPM | ||
The Calling | Jack Dalton | B♭ Major | 9 | 6B | 120 BPM | ||
The Ring Returned [The Merchant of Venice] | David Juritz | D♭ Major | 2 | 3B | 70 BPM | ||
Road to Glasgow | Merlyn | C Major | 0 | 8B | 67 BPM | ||
Heaven And Earth | Ryan Amon | A♭ Major | 1 | 4B | 145 BPM | ||
Saul's Transformation | Jan A.P. Kaczmarek | C Major | 1 | 8B | 72 BPM | ||
End Credits - Instrumental | Alejandro Amenábar | C Minor | 1 | 5A | 70 BPM | ||
III {serenade} | Simon Leoza | E♭ Major | 0 | 5B | 86 BPM | ||
The River | Brian Tyler | E♭ Major | 1 | 5B | 84 BPM |