The City of Prague Philharmonic Orchestra, Nic Raine's 'Where Dreams Are Born - From "Artificial Intelligence: AI"' came out on August 14, 2006. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 13 in Film Music Masterworks - John Williams by The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Where Dreams Are Born - From "Artificial Intelligence: AI"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where Dreams Are Born - From "Artificial Intelligence: AI" by The City of Prague Philharmonic Orchestra, Nic Raine is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Claire de Lune | Claude Debussy, Latvian Philharmonic Chamber Orchestra, Imar Lapinsch | D♭ Major | 0 | 3B | 90 BPM | ||
Fawkes The Phoenix - From "Harry Potter and the Chamber of Secrets" | The City of Prague Philharmonic Orchestra, Nic Raine | D Major | 2 | 10B | 102 BPM | ||
Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Minor | 0 | 6A | 96 BPM | ||
Chronologie 3 | Nic Raine, The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | G Major | 3 | 9B | 70 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Cologne New Philharmonic Orchestra, Volker Hartung | G Minor | 2 | 6A | 99 BPM |