Edward Elgar, Sophie Kauer, London Symphony Orchestra, Natalie Murray Beale made "Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt" available on October 21, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "TÁR (MUSIC FROM AND INSPIRED BY THE MOTION PICTURE)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt by Edward Elgar, Sophie Kauer, London Symphony Orchestra, Natalie Murray Beale having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Claude Debussy, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 78 BPM | ||
And Dream of Sheep (Arr. W. Newell for String Quartet) | Kate Bush, William Newell, The Solem Quartet, Amy Tress, Stephen Upshaw, Stephanie Tress | E Major | 1 | 12B | 88 BPM | ||
Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
The Boys | Jonny Greenwood | F Minor | 1 | 4A | 139 BPM | ||
Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | E♭ Major | 0 | 5B | 64 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM |