"Cello Concerto: 3. Quasi sarabande" by Berthold Goldschmidt, Yo-Yo Ma, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1997. The duration of Cello Concerto: 3. Quasi sarabande is about 3 minutes long, at 3:04. Based on our data, "Cello Concerto: 3. Quasi sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Berthold Goldschmidt, Yo-Yo Ma, Orchestre Symphonique de Montréal, Charles Dutoit, Sabine Meyer, Sinfonieorchester Komische Oper, Yakov Kreizberg, Chantal Juillet, Philharmonia Orchestra's "Goldschmidt: Cello Concerto/Clarinet Concerto/Violin Concerto" album is number 3 out of 11. Based on our statistics, Cello Concerto: 3. Quasi sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto: 3. Quasi sarabande by Berthold Goldschmidt, Yo-Yo Ma, Orchestre Symphonique de Montréal, Charles Dutoit to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphoses on Themes by Carl Maria von Weber: 4. Marsch | Paul Hindemith, San Francisco Symphony, Herbert Blomstedt | B♭ Major | 3 | 6B | 82 BPM | ||
String Quartet No. 2: Folia (Elegy). Andante Molto Tranquillo | Berthold Goldschmidt, ars-nova-ensemble Berlin, Alan Marks, Mandelring Quartett | A Major | 1 | 11B | 80 BPM | ||
Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
Pierrot Lunaire, Op.21 (1912) / Part 3: 19. Serenade | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 0 | 3B | 107 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E Major | 0 | 12B | 112 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Stravinsky: Symphony in Three Movements: I. Overture. Allegro | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 167 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM |