"Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse" by Sergei Lyapunov, Bertrand Chamayou was released on October 9, 2020. The duration of Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse is about 3 minutes long, at 3:15. Based on our data, "Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bertrand Chamayou's "Good Night!" album is number 5 out of 16. Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse by Sergei Lyapunov, Bertrand Chamayou to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Debussy: Cello Sonata in D Minor, L. 135: I. Prologue | Claude Debussy, Bertrand Chamayou | D Minor | 0 | 7A | 171 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
6 Pieces for Piano, P. 44: No. 3, Notturno | Ottorino Respighi, Saskia Giorgini | F♯ Major | 0 | 2B | 67 BPM | ||
Threads Of Grey Velvet | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 63 BPM | ||
Schubert: 3 Klavierstücke, D. 946: No. 1 in E-Flat Minor | Franz Schubert, Bertrand Chamayou | F♯ Major | 0 | 2B | 67 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht (Arr. Clara Schumann for Piano) | Robert Schumann, Isata Kanneh-Mason | D Minor | 0 | 7A | 140 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM |