Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown made "Armide: Act I: Entr'acte" available on October 28, 2008. With Armide: Act I: Entr'acte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, Ryan Brown's "Lully, J.: Armide (Opera Lafayette, 2007)" album is number 8 out of 28. Based on our statistics, Armide: Act I: Entr'acte's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide: Act I: Entr'acte by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 151 テンポ, a half-time of 76テンポ, and a double-time of 302 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
Canzona seconda a 2 canto e basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 144 BPM | ||
Come dolce oggi l'auretta, SV 173 | Claudio Monteverdi, Lautten Compagney, Wolfgang Katschner | G Major | 1 | 9B | 144 BPM | ||
Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM | ||
Le trophee Suite: I. Overture | François Rebel, François Francoeur, Heidi Grant Murphy, Jean-Paul Fouchécourt, Opera Lafayette Orchestra, Ryan Brown | B Minor | 2 | 10A | 61 BPM | ||
Lalla Roukh: Act I Scene 7: Choeur: Voici le repas du soir (Chorus) | Félicien David, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | A Major | 1 | 11B | 118 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Pallavicino: Demetrio, Sinfonia: IV. Adagio | Carlo Pallavicino, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Oedipe a Colone, Act I Scene 5: Chorus. O vous que l'innocence meme - Recitative. Divinites d'Athenes protectrices… (Chorus, High Priest, Polynice, Eriphile) | Antonio Sacchini, Nicolas-François Guillard, François Loup, Nathalie Paulin, Robert Getchell, Tony Boutté, Kirsten Blaise, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Major | 0 | 10B | 99 BPM |