On 2011, the song "Kapitel 64 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 64 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:02. Based on our data, "Kapitel 64 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 64 out of 210. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Kapitel 64 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 64 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
La forza del destino, Act II, Scene I: Son Pereda, son ricco d'onore | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Major | 2 | 11B | 116 BPM | ||
Kapitel 127 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | B Minor | 2 | 10A | 110 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) | Luigi Cherubini, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 97 BPM | ||
Il barbiere di Siviglia / Act 1: Questa bestia di soldato | Gioachino Rossini, Fernando Corena, Manuel Ausensi, Stefania Malagu, Nicolai Ghiaurov, Ugo Benelli, Teresa Berganza, Dino Mantovani, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 4 | 8B | 120 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
Puccini: Suor Angelica: "Sorella, o buona sorella" (Suor Genovieffa, Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 97 BPM | ||
Lucia di Lammermoor, Act I: Ah, verranno a te sull'aure | Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Massenet: Don Quichotte, Act 2: "Comment peut-on penser du bien" (Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson, Alain Fondary, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |