The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio)

Joseph Haydn, Berliner Philharmoniker, Riccardo Muti
Haydn: The Seven Last Words Of Our Saviour On The Cross
6:01 1993年3月26日
テンポ
72
キー
D Minor
キャメロットミュージックキー
7A

リンクを埋め込む

共有

The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) - Joseph Haydn, Berliner Philharmoniker, Riccardo Muti 情報

音響性
94%
ダンサビリティ
13%
エネルギー
3%
手段性
34%
活気
14%
ラウドネス
64%
話し言葉
5%
価数
4%
人気
ラウドネス
-21.466 dB

まとめ

"The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio)" by Joseph Haydn, Berliner Philharmoniker, Riccardo Muti was released on March 26, 1993. The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Riccardo Muti, Berliner Philharmoniker's "Haydn: The Seven Last Words Of Our Saviour On The Cross" album is number 1 out of 9. On top of that, Netherlands appears to be the country where this track was created. The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) テンポ

We consider the tempo marking of The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) by Joseph Haydn, Berliner Philharmoniker, Riccardo Muti to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) キー

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Haydn: Mass in D Minor, Hob. XXII:11 Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": KyrieJoseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle DresdenG Minor36A115 BPM
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. GraveCologne Chamber Orchestra, Georg Philipp TelemannG Minor26A115 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro by Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber OrchestraTrumpet Sonata in D Major, Z. 850: I. AllegroHenry Purcell, Ede Inhoff, Hungarian State Opera Chamber OrchestraE♭ Minor02A83 BPM
String Quartet No. 12 in E-Flat Major, Op. 127: III. Scherzando vivace by Ludwig van Beethoven, Kodály QuartetString Quartet No. 12 in E-Flat Major, Op. 127: III. Scherzando vivaceLudwig van Beethoven, Kodály QuartetD Major010B114 BPM
Concerto In The Italian Style, BWV 971, Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro)Janos Sebestyen, Johann Sebastian BachF Major37B105 BPM
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness"Felix Mendelssohn, Daniel BarenboimF♯ Minor111A128 BPM
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906Janos Sebestyen, Johann Sebastian BachC Minor35A107 BPM
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisConcerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisD Minor17A61 BPM
Viola Concerto in G Major, TWV 51:G9: IV. Presto by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerViola Concerto in G Major, TWV 51:G9: IV. PrestoGeorg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerG Major29B114 BPM
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro by Luigi Boccherini, Ophélie Gaillard, Pulcinella OrchestraConcerto pour violoncelle No. 6 en ré majeur, G. 479: I. AllegroLuigi Boccherini, Ophélie Gaillard, Pulcinella OrchestraA Major111B82 BPM
ISRC
NLA508902401
レコードレーベル
L-M Records/RCA Records