Wolfgang Amadeus Mozart, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)' came out on October 31, 1988. Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 9 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) by Wolfgang Amadeus Mozart, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Idomeneo KV 366: Overture | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Ian Bostridge, Lisa Milne | A Major | 1 | 11B | 147 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Così fan tutte, K. 588 / Act II: "Secondate, aurette amiche" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | E♭ Major | 0 | 5B | 81 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Samuel Ramey, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 76 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM |