Percy Grainger, Claire Booth, Christopher Glynn's 'Bold William Taylor' had a release date set for April 7, 2017. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Percy Grainger: Folk Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Bold William Taylor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bold William Taylor by Percy Grainger, Claire Booth, Christopher Glynn having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | ||
Redline Tango | John Mackey, University of Kansas Wind Ensemble, John P. Lynch | D♭ Major | 2 | 3B | 128 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
The Ringmaster's March | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 5 | 4B | 148 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Water Music Suite: Hornpipe (Arr. Solo Piano by Grainger) - Duo-Art 6754 | George Frideric Handel, Percy Grainger, Peter Phillips | F Major | 2 | 7B | 170 BPM |