On January 1, 2020, the song "The Well-Tempered Clavier, Book I, BWV 862: Fugue, No. 17 in A-Flat" was released by Helmut Walcha. With The Well-Tempered Clavier, Book I, BWV 862: Fugue, No. 17 in A-Flat being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 24 in Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues, No. 13-24 by Helmut Walcha. Based on our statistics, The Well-Tempered Clavier, Book I, BWV 862: Fugue, No. 17 in A-Flat's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Well-Tempered Clavier, Book I, BWV 862: Fugue, No. 17 in A-Flat by Helmut Walcha is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM |