"Humoresque In G Flat" by Antonín Dvořák, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger was released on November 25, 1997. The duration of Humoresque In G Flat is about 3 minutes long, at 3:13. Based on our data, "Humoresque In G Flat" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 15 in And The Band Played On - Music Played On The Titanic by I Salonisti. Humoresque In G Flat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Humoresque In G Flat by Antonín Dvořák, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Grand Canyon Suite: III. On the Trail | Ferde Grofé, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 75 BPM | ||
Marche miniature viennoise (Arr. Mondvay) | Fritz Kreisler, I Salonisti | D Minor | 1 | 7A | 107 BPM | ||
The Sleeping Beauty, Op. 66, Pt. 1: II. Valse | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Barry Wordsworth | C Minor | 2 | 5A | 69 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" | Frédéric Chopin, Idil Biret | B♭ Minor | 1 | 3A | 94 BPM | ||
In The Shadows | Ian Whitcomb, The White Star Orchestra | G Major | 1 | 9B | 134 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
La Damnation de Faust, Op.24 / Part 1: Marche hongroise | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 3 | 11B | 90 BPM | ||
Sandpaper Ballet | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | C Major | 2 | 8B | 127 BPM |