"Messe de Requiem, Op. 54: VIII. Agnus dei" by Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Radio Svizzera Choir was released on June 1, 2004. Since Messe de Requiem, Op. 54: VIII. Agnus dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Saint-Saens: Messe de Requiem & Partsongs". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Messe de Requiem, Op. 54: VIII. Agnus dei's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Messe de Requiem, Op. 54: VIII. Agnus dei by Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Radio Svizzera Choir having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsoria: XXI. Sepulto Domino | Carlo Gesualdo, Ensemble Arte Musica, Francesco Cera | A♭ Minor | 4 | 1A | 134 BPM | ||
Toccata Seconda | Giovanni Girolamo Kapsberger, Giovanni Bellini, Francesco Cera | F Minor | 1 | 4A | 72 BPM | ||
Armide: Act I, Scene 4: Aronte : "O ciel ! O disgrâce cruelle !" | Jean-Baptiste Lully, Bernard Deletré, Luc Coadou, Philippe Herreweghe, Guillemette Laurens, Collegium Vocale Gent, La Chapelle Royale | B♭ Major | 2 | 6B | 79 BPM | ||
Cor mio, mentre vi miro | FRANCESCO RASI, Riccardo Pisani, Ensemble Arte Musica, Francesco Cera | D♭ Minor | 2 | 12A | 79 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | G Minor | 1 | 6A | 96 BPM | ||
Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide" | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | F Major | 3 | 7B | 118 BPM | ||
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Il Ballo delle Ingrate, SV 167: Il Ballo delle Ingrate, SV 167: De l'implacabil Dio (Amore) | Claudio Monteverdi, Agnes Mellon, Guillemette Laurens, Les Arts Florissants, William Christie | D Minor | 1 | 7A | 105 BPM | ||
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM |