Robert Schumann, Paul Ji's 'Schumann: Kinderszenen, Op. 15: No. 7, Träumerei' came out on December 4, 2020. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is about 3 minutes long, at 3:21. Based on our data, "Schumann: Kinderszenen, Op. 15: No. 7, Träumerei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Piano". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Paul Ji having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 128 BPM | ||
Intermezzo No. 1 in E Minor | Manuel Ponce, Lang Lang | E Minor | 1 | 9A | 106 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, Carl Petersson | C Major | 1 | 8B | 140 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
L'isle joyeuse, L. 106 | Claude Debussy, Seong-Jin Cho | B Minor | 1 | 10A | 102 BPM |