Ernest John Moeran, Ulster Orchestra, Joann Falletta's 'Serenade in G Major (original version): I. Prologue: Allegro' came out on April 2, 2013. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ernest John Moeran, Joann Falletta's "Moeran: Cello Concerto - Serenade" album is number 4 out of 13. In terms of popularity, Serenade in G Major (original version): I. Prologue: Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in G Major (original version): I. Prologue: Allegro by Ernest John Moeran, Ulster Orchestra, Joann Falletta to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 0 | 7B | 63 BPM | ||
Requiem, Op. 9: IV. Sanctus (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 1 | 6A | 67 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Moeran: Sigh No More, Ladies from Songs of Springtime | Chamber Choir Ireland, Ernest John Moeran, Paul Hillier | D Minor | 2 | 7A | 72 BPM | ||
And There Was Light | Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver | C Major | 0 | 8B | 82 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM | ||
Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | D Minor | 0 | 7A | 99 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM |