Richard Jones, Rachel Podger, Brecon Baroque's ' "Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: III. Giga. Allegro" was released on its scheduled release date, May 24, 2024. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: III. Giga. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Muses Restor'd". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: III. Giga. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: III. Giga. Allegro by Richard Jones, Rachel Podger, Brecon Baroque having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Chamber Air's, Op. 2: Sonata No. 8 in A Major: III. Largo | Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | F Minor | 0 | 4A | 37 BPM | ||
Duos for 2 Cellos in F Major, Op. 18 No. 2: II. Allegro | Tommaso Giordani, Irlandiani | E Major | 1 | 12B | 100 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Ticharaca Tchoub | The Balagan Café Band, Christian Miller, Richard Jones, Shirley Smart, Tommie Black Roff | D Minor | 2 | 7A | 127 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
I'm Glad there Is You | Dardanelle, Dag Walton, George Rawlins, Andy Hagen, Richard Peluso, Rick Simmerly, Bob Lewis, Frank Carter, Don Erdman, Jerry Coker, Richard Jones, Charles Goodwin, Bill Hatcher, Fred Goodwin, James Lackey | C Major | 2 | 8B | 125 BPM | ||
Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato | Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro | A♭ Minor | 3 | 1A | 120 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: III. Largo | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Chamber Air's for a Violin and Through Bass, Op. 2 - Sonata No. 3 in G Major: II. Allegro ma non presto | Richard Jones, The Beggar's ensemble | F♯ Major | 2 | 2B | 87 BPM |