Mario Castelnuovo-Tedesco, Ensemble 05, Angelo Montanaro, Daniele De Pascalis, Daniele Vineis, David Knopfler, Giorgio Dellarole, Lorenzo Micheli, Massimo Felici's 'Morning in Iowa: No. 3, American mountains, how they pull the heart' came out on October 13, 2012. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Knopfler's "Morning in Iowa" album is number 3 out of 16. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Morning in Iowa: No. 3, American mountains, how they pull the heart is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Morning in Iowa: No. 3, American mountains, how they pull the heart by Mario Castelnuovo-Tedesco, Ensemble 05, Angelo Montanaro, Daniele De Pascalis, Daniele Vineis, David Knopfler, Giorgio Dellarole, Lorenzo Micheli, Massimo Felici to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 6 in F-Sharp Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Major | 2 | 11B | 81 BPM | ||
Theme of Katja (From "Spy Sorge") | Shin’ichirō Ikebe, Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Marta | Marco Pereira, Ricardo Cobo | A Minor | 0 | 8A | 67 BPM | ||
Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) | Manuel de Falla, Johannes Möller | F Major | 0 | 7B | 77 BPM | ||
L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 150 BPM | ||
A Don Agustin Bardi (arr. J. Morel): Don Agustin Bardi (arr. Morel) | Horacio Salgán, Jorge Morel, Ricardo Cobo | A Minor | 1 | 8A | 128 BPM | ||
Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM | ||
Etude no. 1 | Alvaro Pierri | D Minor | 3 | 7A | 147 BPM | ||
Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Major | 2 | 11B | 106 BPM |