Giovanni Girolamo Kapsberger, Tiziano Bagnati's ' "Kapsberger: Sonata seconda arpeggiata (Tiorba sola)" was released on its scheduled release date, February 2, 1994. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Kapsberger: Sonata seconda arpeggiata (Tiorba sola)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Massimo Lonardi & Tiziano Bagnati's "Musiche del '600 italiano per Chitarra e Tiorba" album is number 10 out of 24. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Kapsberger: Sonata seconda arpeggiata (Tiorba sola) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kapsberger: Sonata seconda arpeggiata (Tiorba sola) by Giovanni Girolamo Kapsberger, Tiziano Bagnati to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Libro IV d'intavolatura di chitarrone: Canario | Giovanni Girolamo Kapsberger, Massimo Marchese | G Major | 1 | 9B | 108 BPM | ||
Lawes: Aire, for Lyra Viol, VdGS No. 462 | William Lawes, Fretwork | G Minor | 0 | 6A | 103 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Toccata XX | Alessandro Piccinini, Francesca Torelli | D Minor | 1 | 7A | 96 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
La cascade | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Sonata in D Minor, Kk. 89: II. Grave (Transcr. for Mandolin and Basso continuo) | Domenico Scarlatti, Avi Avital, Yizhar Karshon, Ophira Zakai, Patric Zepec | D Minor | 0 | 7A | 106 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Balletto | Vincenzo Capirola, Shirley Rumsey | D Major | 0 | 10B | 81 BPM |