"Die Zauberflöte, K.620: Overture" by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. Since Die Zauberflöte, K.620: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Die Zauberflöte" album is number 1 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Zauberflöte, K.620: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620: Overture by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Salome: Wo ist er? | Wiener Philharmoniker, Wiesław Ochman, Herbert von Karajan, José van Dam, Hildegard Behrens | G Minor | 1 | 6A | 85 BPM | ||
Lyric Suite - 3 Pieces For String Orchestra: 1. Andante amoroso | Alban Berg, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 136 BPM | ||
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Symphony No. 6 in A Minor: 2. (3.) Andante moderato - Live From Philharmonie, Berlin / 2004 | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 0 | 6B | 179 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Serenade in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro) | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 96 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |