"Temps de l'Avent : Rorate cæli" by Chœur de l'abbaye Saint-Martin de Ligugé was released on October 16, 2000. The duration of Temps de l'Avent : Rorate cæli is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Temps de l'Avent : Rorate cæli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Immortel grégorien - Noël" album is number 4 out of 51. On top of that, France appears to be the country where this track was created. Temps de l'Avent : Rorate cæli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Temps de l'Avent : Rorate cæli by Chœur de l'abbaye Saint-Martin de Ligugé to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Axion Estin - Byzantine Chant, XV C. | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 2 | 12B | 94 BPM | ||
Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Responso: SENIORES POPULI (1er. modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | G Major | 1 | 9B | 104 BPM | ||
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Responso: JUDAS MERCATOR (2º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | E Minor | 1 | 9A | 85 BPM | ||
1er dimanche de carême, complies: Antienne salve regina | Choeur grégorien de Paris, Jaan-Eik Tulve | A Minor | 1 | 8A | 132 BPM | ||
Complies : Hymne. Te lucis ante términum | Choeur grégorien de Paris | G Minor | 1 | 6A | 168 BPM | ||
Offertorium: Ave María, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B♭ Minor | 0 | 3A | 82 BPM | ||
Agnus Dei | Schola Grégorienne De L'Université De Strasbourg | F♯ Major | 2 | 2B | 142 BPM | ||
Entrance | Choir of the Monks of Chevetogne | A Minor | 1 | 8A | 142 BPM | ||
Terribilis Est (Introito) | Juan Carlos Asensio Palacios | F Major | 1 | 7B | 75 BPM |