"The Age of Innocence: Theme" by Elmer Bernstein, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra was released on 1966. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Itzhak Perlman's "Itzhak Perlman - Original Jacket Collection" album is number 5 out of 95. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Age of Innocence: Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Age of Innocence: Theme by Elmer Bernstein, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Rambling Rose | Elmer Bernstein, Cynthia Millar, Royal Philharmonic Pops Orchestra | C Minor | 0 | 5A | 89 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Theme (From "The Magnificent Seven") - From "The Magnificent Seven" | Elmer Bernstein | B♭ Major | 6 | 6B | 86 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Valse Triste, Op. 44 No. 1 | Japan Philharmonic Orchestra, Jean Sibelius, Akeo Watana | G Major | 0 | 9B | 88 BPM | ||
Nocturne in E-Flat Major, Op. 9, No. 2 | Daniela Jakubowicz | B♭ Major | 1 | 6B | 134 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM |