Andrés Segovia, George Frideric Handel made "キーboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia)" available on 1952. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Segovia, Andres: The Baroque Repertoire (1939-1952)". In this album, this song's track order is #21. キーboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With キーboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) by Andrés Segovia, George Frideric Handel having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM | ||
Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Ronsard (De Platero y Yo) | Castelnuevo-Tedesco, Andrés Segovia | D Major | 0 | 10B | 102 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Prelude No. 7 in A Major, Op. 28, No. 7 (arr. A. Segovia for guitar) | Andrés Segovia, Frédéric Chopin | D Major | 0 | 10B | 62 BPM | ||
Grand Solo in D Major, Op. 14: Introduction | Fernando Sor, Andrés Segovia | D Minor | 0 | 7A | 81 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Libro de música de vihuela de mano; No. 28, Pavane VI | Luis de Milán, Andrés Segovia | G Major | 2 | 9B | 71 BPM |