Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester's 'Part II. Overture in D major: I. Ouverture: Lentement' came out on October 21, 2010. Part II. Overture in D major: I. Ouverture: Lentement is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #10. Based on our statistics, Part II. Overture in D major: I. Ouverture: Lentement's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Part II. Overture in D major: I. Ouverture: Lentement by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Violin Sonata in E-Flat Major: II. Adagio moderato | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 56 BPM | ||
Intermedes de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 180 BPM | ||
Suite No. 1 in C Major, BWV 1066: Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II | Johann Sebastian Bach, Freiburger Barockorchester | A Major | 0 | 11B | 115 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 3 | 3B | 132 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM |