L'Orchestre National du Bolchoï, Maïa Plissetskaïa, Nina Sorokina, Mikhail Petoukhov, Alexander Kopilov made "Anna Karenine: 3ème Partie: Le mari d'Anna au ministère" available on December 26, 2007. The duration of Anna Karenine: 3ème Partie: Le mari d'Anna au ministère is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Anna Karenine: 3ème Partie: Le mari d'Anna au ministère's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 19 in Chtchedrine: Anna Karenine (Les Étoiles du Bolchoï) by L'Orchestre National du Bolchoï. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Anna Karenine: 3ème Partie: Le mari d'Anna au ministère is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Anna Karenine: 3ème Partie: Le mari d'Anna au ministère by L'Orchestre National du Bolchoï, Maïa Plissetskaïa, Nina Sorokina, Mikhail Petoukhov, Alexander Kopilov is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe en ut mineur, K. 427: Kyrie | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Le Lac des Cygnes, Op.20: Acte I, Pas d'action | L'Orchestre National du Bolchoï, Algys Juraitis | F Major | 1 | 7B | 71 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Danse des sauvages (From Les Indes galantes) | Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 1 | 8B | 79 BPM | ||
Suite No. 3 en ré majeur, BWV. 1068: Air | Johann Sebastian Bach, Orchestre symphonique de Radio Télé Luxembourg, Leopold Hager, Vassil Ivanov, Norbert Mattern, Jean de Ridder, Elisabeth Parcells | E Major | 1 | 12B | 133 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Le Lac des Cygnes, Op.20: Acte I, Scène 1 | L'Orchestre National du Bolchoï, Algys Juraitis | B♭ Major | 3 | 6B | 77 BPM | ||
Ivan Soussanine: Acte I: Cavatine et rondo d'Antonida | L'Orchestre National du Bolchoï, A. Barannikov, Yevgeny Nesterenko, Bela Roudenko | A♭ Major | 1 | 4B | 89 BPM |