Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist's 'St. Matthew Passion, BWV 244, Pt. 2: No. 66. Und Joseph nahm den Leib' came out on March 27, 2020. The duration of St. Matthew Passion, BWV 244, Pt. 2: No. 66. Und Joseph nahm den Leib is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. St. Matthew Passion, BWV 244, Pt. 2: No. 66. Und Joseph nahm den Leib's duration is considered a little bit shorter than the average duration of a typical track. The song is number 37 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. St. Matthew Passion, BWV 244, Pt. 2: No. 66. Und Joseph nahm den Leib is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244, Pt. 2: No. 66. Und Joseph nahm den Leib by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Goldberg Variations, BWV 988: Var. 3, Canone all'unisuono | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 96 BPM |