"De la Inmaculada, Antífona de Magnificat: Quam Pulchri Sunt" by Pro Musica Gregoriana had its release date on August 27, 2005. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Tres Manuscritos de Canto Llano en Museos de Buenos Aires". In this album, this song's track order is #16. In terms of popularity, De la Inmaculada, Antífona de Magnificat: Quam Pulchri Sunt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De la Inmaculada, Antífona de Magnificat: Quam Pulchri Sunt by Pro Musica Gregoriana having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | G Major | 0 | 9B | 129 BPM | ||
Office des laudes : Antienne o quam gloriosum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | G Major | 0 | 9B | 99 BPM | ||
O Ierusalem, aurea civitas | Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen | G Minor | 0 | 6A | 71 BPM | ||
Tempo Della Manifestazione. Responsorio: Verbum | Canonici Regolari Si Sant'Antimo | F♯ Major | 1 | 2B | 126 BPM | ||
Kyrie Christe Eleison | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Minor | 1 | 4A | 71 BPM | ||
Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
Anbetung Dem Kreuz: Crucem Tuam | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Sicut Cervus (Giovanni Pierluigi da Palestrina) | Sexteto Cantábile | G Major | 2 | 9B | 130 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Misa de Medianoche: Antífona de ofertorio LAETENTUR CAELI (4º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A Major | 2 | 11B | 129 BPM |