Alfredo Kraus's 'Don Pasquale “Com’e gentil”' came out on July 18, 2014. The duration of Don Pasquale “Com’e gentil” is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Don Pasquale “Com’e gentil”'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 28 in Arias Famosas by Alfredo Kraus. Don Pasquale “Com’e gentil” is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale “Com’e gentil” by Alfredo Kraus is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Sole Mio - Digitally remastered | Beniamino Gigli | G Major | 2 | 9B | 70 BPM | ||
Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
Lamento Gitano | Alfredo Kraus | F Minor | 2 | 4A | 83 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Soledad | Rosario Armas, Ahmed Alom | A♭ Minor | 2 | 1A | 74 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
O Marenariello | Tito Schipa | A Major | 2 | 11B | 68 BPM | ||
La Leyenda del Beso | Ataúlfo Argenta | A♭ Major | 2 | 4B | 148 BPM | ||
El Trust de los Tenorios: Te quiero, Morena | Jose Serrano, Alfredo Kraus, José Lloret, Orquesta de Camera de Madrid | D Major | 2 | 10B | 110 BPM |