"Il carnavale di venezia" by Gioachino Rossini, Lieder Quartett, Anna Maria Miranda, Hanna Schaer, Jean-Claude Orliac, Udo Reinemann, Christian Ivaldi was released on 1992. The duration of Il carnavale di venezia is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Il carnavale di venezia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gioachino Rossini, Lieder Quartett, Anna Maria Miranda, Hanna Schaer's "Le salon de Rossini" album is number 3 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Il carnavale di venezia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il carnavale di venezia by Gioachino Rossini, Lieder Quartett, Anna Maria Miranda, Hanna Schaer, Jean-Claude Orliac, Udo Reinemann, Christian Ivaldi to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: I. Gloria in excelsis Deo | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 0 | 8B | 123 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) | Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 1 | 7B | 165 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Poeme d'un jour, Op. 21: No. 3. Adieu | Gabriel Fauré, Ailyn Perez, Iain Burnside | F Major | 1 | 7B | 82 BPM | ||
La scala di seta: V. Recitativo | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM |