"Orreaga: I. Alai" by Aita Madina, Orquesta Sinfonica De Euskadi (Basque National Orchestra), Cristian Mandeal, Euskadiko Orkestra Sinfonikoa was released on January 1, 2005. The duration of Orreaga: I. Alai is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Orreaga: I. Alai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 23 in Basque Music Collection, Vol. IX by Aita Madina, Los Romero, Xavier De Maistre, Cristian Mandeal, Euskadiko Orkestra Sinfonikoa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Orreaga: I. Alai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orreaga: I. Alai by Aita Madina, Orquesta Sinfonica De Euskadi (Basque National Orchestra), Cristian Mandeal, Euskadiko Orkestra Sinfonikoa is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jig in G, Sonata VI II (Thomas Arne) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Torches Aloft | Colwell Snodbury | A Major | 5 | 11B | 128 BPM | ||
Symphony No. 29 in G Minor | Archaic Illusion Orchestra | E Major | 0 | 12B | 146 BPM | ||
Stabat Mater, FP 148: I. Stabat Mater dolorosa | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 1 | 8A | 104 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Sinfonia in E-Flat Major, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Leslie Pearson, English Chamber Orchestra, Raymond Leppard | E Minor | 1 | 9A | 175 BPM | ||
How pleased we are | Peter Deunov, Monte-Carlo Philharmonic Orchestra | E Major | 4 | 12B | 97 BPM | ||
Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
Pifa (Pastoral Symphony) | George Frideric Handel, Musica Sacra, Richard Westenburg | C Major | 0 | 8B | 77 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM |