Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge's 'Anna Bolena / Act 2: "Tu pur dannato a morte"' came out on May 18, 1988. The duration of Anna Bolena / Act 2: "Tu pur dannato a morte" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Anna Bolena / Act 2: "Tu pur dannato a morte"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 46 in Donizetti: Anna Bolena by Gaetano Donizetti, Richard Bonynge, Dame Joan Sutherland, Jerry Hadley, Samuel Ramey, Susanne Mentzer, Giorgio Surjan, Bernadette Manca Di Nissa, Ernesto Gavazzi, Chorus of the Welsh National Opera, Welsh National Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Anna Bolena / Act 2: "Tu pur dannato a morte" is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Anna Bolena / Act 2: "Tu pur dannato a morte" by Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
Don Pasquale: Act I: Pronta io son | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM |