"Cello Concerto No. 1 in A Minor, Op. 14: II. Cantilena" by Georg Goltermann, Pablo Casals, Unknown Artist was released on September 16, 1997. The duration of Cello Concerto No. 1 in A Minor, Op. 14: II. Cantilena is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Cello Concerto No. 1 in A Minor, Op. 14: II. Cantilena's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Complete Acoustic Recordings, Vol. 2". In this album, this song's track order is #4. In terms of popularity, Cello Concerto No. 1 in A Minor, Op. 14: II. Cantilena is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto No. 1 in A Minor, Op. 14: II. Cantilena by Georg Goltermann, Pablo Casals, Unknown Artist having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunday on Fifth Avenue - Performance | Cecilia McDowall, Ofer Falk, Irina Lyakhovskaya | G Major | 1 | 9B | 85 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 19 (Allegro appassionato) | Lera Auerbach, Camille Thomas, Beatrice Berrut | B♭ Minor | 1 | 3A | 97 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
3 Romances for Violin and Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Koji Morishita | B♭ Major | 1 | 6B | 98 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Spring Song | Frank Bridge, ABRSM, Tim Horton, Gemma Rosefield | G Major | 0 | 9B | 94 BPM | ||
Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) | Johann Sebastian Bach, Alice Neary, Gretel Dowdeswell | F♯ Major | 2 | 2B | 92 BPM | ||
Kreisler: Caprice viennois, Op. 2 | Fritz Kreisler, Tasmin Little, Piers Lane | B Major | 2 | 1B | 173 BPM |