Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella's 'Veritas Mea Et Misericordia Mea' came out on October 7, 2016. The duration of Veritas Mea Et Misericordia Mea is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Veritas Mea Et Misericordia Mea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Palestrina". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Veritas Mea Et Misericordia Mea is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Veritas Mea Et Misericordia Mea by Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Mass in G Minor: Gloria in excelsis | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Daniel Brown, James Adams, Michael Bell, William Ashford, Andrew Nethsingha | C Major | 0 | 8B | 143 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM |