"Rodrigo: 3 Piezas españolas: No. 2, Passacaglia" by Joaquín Rodrigo, Manuel Barrueco was released on 1987. With this song being about 5 minutes long, at 4:37, "Rodrigo: 3 Piezas españolas: No. 2, Passacaglia" by Joaquín Rodrigo, Manuel Barrueco is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Barrueco's "Manuel Barrueco Plays De Falla, Ponce & Rodrigo" album is number 11 out of 12. On top of that, Germany appears to be the country where this track was created. Rodrigo: 3 Piezas españolas: No. 2, Passacaglia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rodrigo: 3 Piezas españolas: No. 2, Passacaglia by Joaquín Rodrigo, Manuel Barrueco to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Rachmaninov / Transcr. Balsom: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alison Balsom, Edward Gardner, Göteborg Symfoniker | D♭ Minor | 1 | 12A | 87 BPM | ||
Intermezzo No. 1 in E Minor | Manuel Ponce, Lang Lang | E Minor | 1 | 9A | 106 BPM | ||
Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 114 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |