"Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana" by Ottorino Respighi, LGT Young Soloists, Alexander Gilman was released on September 11, 2015. The duration of Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in LGT Young Soloists, Alexander Gilman's "Italian Journey - Works for String Orchestra" album is number 2 out of 10. On top of that, Switzerland appears to be the country where this track was created. Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana by Ottorino Respighi, LGT Young Soloists, Alexander Gilman to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Fountains of Rome | Jessica Buzbee, Lee Rogers, Timothy Buzbee, David Bobroff | E Major | 1 | 12B | 138 BPM | ||
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 74 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM |