Heitor Villa-Lobos, Norbert Kraft's 'Suite popular brasileira: No. 4 Gavota - Choros' came out on October 20, 2000. With this song being about 5 minutes long, at 5:20, "Suite popular brasileira: No. 4 Gavota - Choros" by Heitor Villa-Lobos, Norbert Kraft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Music for Solo Guitar (Complete) by Heitor Villa-Lobos, Norbert Kraft. The song's track number on the album is #5 out of 23 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Suite popular brasileira: No. 4 Gavota - Choros is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite popular brasileira: No. 4 Gavota - Choros by Heitor Villa-Lobos, Norbert Kraft has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite popular brasileira: No. 4 Gavota - Choros being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM | ||
12 Concertos, Op. 3 "L'estro armonico", Concerto No. 10 in B Minor for 4 Violins and Cello (Arr. P. Romero for 4 Guitars): IIb. Larghetto | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero, San Antonio Symphony Orchestra, Victor Alessandro | B Minor | 2 | 10A | 100 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Sor: 24 Exercices très faciles, Op. 35: No. 22 in B Minor | Fernando Sor, Turibio Santos | B Minor | 1 | 10A | 116 BPM | ||
3 Compositions, Op. 40: Berceuse (Version for cello and piano) | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 72 BPM | ||
4 Mazurkas : No. 4. Sueno | Norbert Kraft | C Major | 0 | 8B | 195 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 106 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM |