"Die Gezeichneten / Act 1: Holde Martuccia! - Du Lump!" by Franz Schreker, Martin Petzold, Christianne Berggold, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek was released on January 1, 1995. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Schrecker: Die Gezeichneten". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Die Gezeichneten / Act 1: Holde Martuccia! - Du Lump!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Gezeichneten / Act 1: Holde Martuccia! - Du Lump! by Franz Schreker, Martin Petzold, Christianne Berggold, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Der ferne Klang: Act I: Zwischenspiel (Interlude) | Franz Schreker, Marisa Althausen, Rudiger Bunse, Horst Fiehl, Paul Friess, Elena Grigorescu, Werner Hahn, Andreas Haller, Thomas Harper, Peter Kante, Reinhard Leisenheimer, Erica Pilari, Hagen Municipal Opera Chorus, Hagen Philharmonic Orchestra, Michael Halasz | D Major | 0 | 10B | 170 BPM | ||
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Der ferne Klang, Act II Scene 9: Ist der Liebste fern (Grete, Graf, Chor) | Franz Schreker, Frankfurter Opern- und Museumsorchester, Sebastian Weigle, Jennifer Holloway, Gordon Bintner, Chor der Oper Frankfurt | C Major | 3 | 8B | 67 BPM | ||
Symphony No. 4 "Los Angeles": 3. Insistentemente. Con intimo sentimento Coda. Deciso | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM |