"Missa Secunda, Messe für vierstimmigen Chor: Agnus Die" by Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich was released on November 6, 2015. The duration of Missa Secunda, Messe für vierstimmigen Chor: Agnus Die is about 3 minutes long, at 3:23. Based on our data, "Missa Secunda, Messe für vierstimmigen Chor: Agnus Die" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alsfelder Vokalensemble Bremen, Wolfgang Helbich's "Hassler: Missa Secunda" album is number 5 out of 8. Missa Secunda, Messe für vierstimmigen Chor: Agnus Die is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Secunda, Messe für vierstimmigen Chor: Agnus Die by Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Do Not Be Afraid | Philip Stopford, The Ecclesium Choir | D Major | 0 | 10B | 72 BPM | ||
Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM | ||
There Is No Rose | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 1 | 6B | 130 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Tábortüznél, Près du feu de camp | Lajos Bárdos, Pécsi Nevelök Háza Kamarakórusa, Aurél Tillai | B♭ Major | 0 | 6B | 63 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
O Schöne Nacht, Op. 92, No. 1 | Johannes Brahms, BYU Concert Choir, Brent Wells, Lindsay Bastian, Ethan Simpson, Blake Wayment, Bekah Johnson, Alex Palmer | A Major | 4 | 11B | 111 BPM |