"Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi"" by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on January 1, 2011. Since Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Complete Decca Studio Recitals" album is number 5 out of 271. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Hamlet / Act 5: Ecoute! Quel est ce bruit de pas? | Ambroise Thomas, Gösta Winbergh, Sherrill Milnes, James Morris, Keith Lewis, Philip Gelling, Arwel Huw Morgan, John Tomlinson, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 1 | 9B | 94 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Le Caid, Défilé | Ambroise Thomas, Garde Républicaine - Roger Boutry, Roger Boutry | B♭ Major | 7 | 6B | 135 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Münchner Rundfunkorchester/Willi Boskovsky, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM |