"Carol: Sussex Carol" by Choir of King's College, Cambridge was released on December 31, 1899. With Carol: Sussex Carol being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 20 in A Festival Of Lessons And Carols by Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Carol: Sussex Carol's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carol: Sussex Carol by Choir of King's College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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My heart is inditing: Kings shall be thy nursing fathers | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | D♭ Major | 3 | 3B | 106 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 131 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Rachmaninov: Vespers, Op. 37: IX. Blagosloven yesi, Gospodi | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 95 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Magnificat: Magnificat | Giovanni Battista Pergolesi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Parry: Dear Lord and Father of Mankind | Hubert Parry, Choir of King's College, Cambridge, Tom Bullard, Benjamin Bayl, Stephen Cleobury | E♭ Major | 1 | 5B | 120 BPM | ||
Five Hebrew Love Songs: Kalá Kallá (Light Bride) | Eric Whitacre, Eric Whitacre Singers | E Minor | 1 | 9A | 134 BPM |