On January 7, 2022, the song "Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ" was released by Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck. With Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Sabine Fehlandt, Bernhard Forck's "Georg Philipp Telemann: Viola Concertos - Overtures - Fantasias" album is number 31 out of 33. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ by Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Flute Concerto in C Minor, QV 5:38: II. Lento | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Minor | 0 | 2A | 140 BPM |