Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Graham Ross's 'Terra tremuit' came out on March 4, 2016. The duration of Terra tremuit is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Terra tremuit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of Clare College, Cambridge, Graham Ross's "Haec dies: Music for Easter" album is number 12 out of 21. In terms of popularity, Terra tremuit is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Terra tremuit by Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Graham Ross to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Nunc Dimittis in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | F Minor | 9 | 4A | 140 BPM | ||
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodivi | Giovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert | G Minor | 0 | 6A | 78 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
De profundis clamavi | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | E♭ Major | 1 | 5B | 70 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Litaniae de Beata Virgine Maria for 5 voices | Giovanni Pierluigi da Palestrina, Agnes Pinter, Judit Andrejszki, Balazs Draskoczy, Zoltan Kalmanovits, Andras Demjen, Corvina Consort | G Major | 1 | 9B | 77 BPM | ||
Ecco la Primavera | Francesco Landini, Trinity Baroque, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger, Fprbury Consort | G Major | 0 | 9B | 69 BPM |