"The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive)" by Rutland Boughton, English Chamber Orchestra, Patricia Taylor, Roger Bryson, Alan G. Melville, Anne Dawson was released on 1984. The duration of The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive) is about 3 minutes long, at 3:06. Based on our data, "The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 62 in the song's album "Rutland Boughton: The Immortal Hour". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive) by Rutland Boughton, English Chamber Orchestra, Patricia Taylor, Roger Bryson, Alan G. Melville, Anne Dawson having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sailing By (Radio 4 Theme) | Ronald Binge, Royal Philharmonic Orchestra, Carl Davis | D Major | 1 | 10B | 81 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Sea Fever | John Ireland, Roderick Williams, Iain Burnside | E Minor | 1 | 9A | 112 BPM | ||
Let X=X | Laurie Anderson | C Major | 3 | 8B | 83 BPM | ||
Licorice Pizza | Jonny Greenwood | C Major | 0 | 8B | 110 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Delerue: Day for Night: Chorale | Georges Delerue, Hugh Wolff, London Sinfonietta | F Major | 1 | 7B | 147 BPM | ||
Aizej, lietiņ - Go Away, Rain | Ēriks Ešenvalds, State Choir Latvija, Māris Sirmais | A♭ Minor | 2 | 1A | 87 BPM | ||
Lah-Di-Dah | Jake Thackray | D Major | 3 | 10B | 109 BPM | ||
Vísur Vatnsenda-Rósu | The Hamrahlíð Choir | G Major | 1 | 9B | 85 BPM |
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