"Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton)" by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being about 5 minutes long, at 4:41, "Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton)" by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton) by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a テンポ of 143 with a half-time of 72 テンポ and a double-time of 286 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" | Giacomo Puccini, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Puccini: Madama Butterfly, Act 1: "Cio-cio-san! Abbominazione!" (Bonzo, Butterfly, Goro, Yakusidé, Cugina, Madre, Zia, Pinkerton, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 4 | 10B | 176 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Puccini: Gianni Schicchi: "Lauretta mia" (Rinuccio, Lauretta, Schicchi) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Victoria de los Ángeles, Carlo Del Monte | F♯ Major | 2 | 2B | 74 BPM |