Johann Sebastian Bach, Víkingur Ólafsson's 'Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano)' came out on May 17, 2024. The duration of Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano) is about 3 minutes long, at 3:19. Based on our data, "Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Víkingur Ólafsson's "J.S. Bach: Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano)" album is number 1 out of 2. On top of that, Germany appears to be the country where this track was created. Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano) by Johann Sebastian Bach, Víkingur Ólafsson to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
Ré)inventio: No. 8 in F Major [After J.S. Bach's BWV 779] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | B Minor | 3 | 10A | 103 BPM | ||
Keyboard Sonata in C Minor, Kk. 56 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) | Camille Saint-Saëns, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
12 Songs for Guitar: No. 7, Secret Love - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Sammy Fain, Giacomo Palazzesi | D Major | 0 | 10B | 107 BPM | ||
Flowers We Are (from Játékok / Book 7) - Grand Piano | György Kurtág, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Passacaglia and Fugue in C Minor, BWV 582 (arr. E. d'Albert for piano) | Eugen d'Albert, Johann Sebastian Bach, Ernst Breidenbach | C Minor | 2 | 5A | 80 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
(Ré)inventio: No. 12 in A Major [After J.S. Bach's BWV 783] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | C Major | 4 | 8B | 130 BPM |