"An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano)" by Franz Schubert, Alexander Hülshoff, Andreas Frolich was released on May 5, 2015. The duration of An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Works for Cello & Piano". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, Op. 88, No. 4, D. 547 (arr. A. Hulshoff and A. Frolich for cello and piano) by Franz Schubert, Alexander Hülshoff, Andreas Frolich having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glazunov: Meditation, Op. 32 | Su Shien-Ta, Yu Tsui-Ling | A Minor | 0 | 8A | 76 BPM | ||
Porgy and Bess: It Ain’t Necessarily So (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 1 | 10A | 168 BPM | ||
タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | D Major | 1 | 10B | 174 BPM | ||
Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) | Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 81 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 6 in B-Flat Major (original in D-Flat Major) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B♭ Major | 2 | 6B | 142 BPM | ||
Zigeunerweisen, Op. 20 (arr. for cello and piano) | Pablo de Sarasate, Emilio Colón, Sung Hoon Mo | F♯ Major | 2 | 2B | 99 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) | Iván Sztankov, Christoph Willibald Gluck, Erika Tóth | D Minor | 0 | 7A | 74 BPM | ||
Piano Trio in G Major, CD 5: III. Andante espressivo | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
亜麻色の髪の乙女 | Claude Debussy, ヤーノシュ・シュタルケル, Shigeo Neriki | G Major | 0 | 9B | 79 BPM |